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Man on the Street
Josh Pais' 7th Street Maps the Life of One City Block
February 10, 2003 | A neighborhood can be like a living, breathing organism, changing and growing over time. Urban neighborhoods in particular can develop quickly, thanks to the often volatile mix of ethnicities, races, languages and nationalities that share their space. Actor Josh Pais watched his corner of the Lower East Side - 7th street between avenues C and D - change and change again from childhood on. In 1992 he decided that 7th street, or at least the version of 7th street that he knew, deserved a bit of immortality. So he got a video camera and started interviewing his neighbors. The finished film, aptly named 7th Street, covers a decade of the block's complex history with assistance in delving deeper from some of the block's older residents.
"Part of the reason I made the movie," says Pais, "was to figure out what it means to me to live so much of my life on one block. Part of the way [I did that] was talking to people who had been on the block longer than me. Those were the people that were around me as I was growing up. I sensed that once these people were gone a history of New York would be gone, an oral history and a character history. And I wanted to hold onto that and to capture that because to me a very important part of the city is just these characters that have the map of New York City on their faces." 7th Street features interviews with a lot of different people from the neighborhood but Pais picked a few stand-out characters to develop in more depth. Perhaps most memorable is Manny, an elderly holdover from the block's years as a Jewish center. Manny, who in the film calls Pais and his generation "sissies" for not having grown up in the rough-and-tumble decades when he was young, was a real New York character.
As for Pais, his love for the neighborhood has weathered some turbulent times. When he first moved to 7th street in 1967 the block was a mix of abandoned buildings, hippie communes and the city's forgotten low-income citizens. During his young life he saw drugs and violence overtake the neighborhood, although many of those interviewed talk about a sense of safety created on their one block turf by the tight community and the watchful eyes of neighbors. Pais isn't afraid to build his film out of the contradictions that inevitably spring up when people live close together. One older woman lists the times she's been attacked; moments later someone else calls the block "safe for families." There are as many different experiences, he seems to say, as there are people in the messy, lively world of 7th Street.
Pais ends his film with the neighborhood in a state of flux, with financial stability and improvements driving out some of the area's long-time residents, including some of the film's subjects. But he's hopeful that this is indicative of an ongoing process. "The shift that happens in end of the movie is continuing. It's becoming more up-scale, rents are still high. But what's characteristic of that block and area is it'll stay one way, then a huge shift will happen and it'll become something completely different." UPDATE: 7th Street is back
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