Alice Cooper fans have wanted to see a legitimate release of this concert film for a long time, and now Shout Factory has stepped up to the plate and give Good To See You Again its first official home video release in history. Though the film did get a theatrical release in 1974, since then the only way to see the movie has been to plunk down for a less than perfect quality bootleg copy if you were lucky enough to find on online or at a record of comic book convention. This release, thankfully, makes those illegal copies of the movie completely obsolete and even throws in some decent bonus features as well, as if you needed further reason to upgrade (if you had a bootleg at all in the first place).

But what exactly is this movie?

Well, in 1973 Alice Cooper and his band were at the top of their game. Having just released the Billion Dollar Babies record, they were touring in support of it and their star was definitely on the rise. Alice was backed by Dennis Dunaway, Michael Bruce, Neal Smith and Glen Buxton and they were a live force to be reckoned with, combining sleazy glam rock with horror movie influenced theatrics. This film documents two of their concerts from this tour (recorded in Dallas on 4/28/73 and Houston on 4/29/73), and in between songs we're 'treated' to oddball comedic sketches from Alice and the band.

A few words about those sketches = they're goofy. Really, really goofy. So goofy in fact that a few of them are pretty hard to watch without reaching for the remote. The first bit, where Alice and the band do a lounge act only to trash the set once it's done, is an interesting way to segue into the opening number for the concert itself, which is Hello, Hooray. After that though, the skits start to fall pretty flat. The premise behind it all is that the director of the film is chasing the band down as they don't want anymore to do with him or his project. He won't take no for an answer, however, and he follows them around and more or less makes a nuisance of himself. At least, that's how it plays out in the original version of the film, which is the one presented on the film here. There's an alternate version of the film where the skits are replaced with old movie footage (and sadly, that version is not represented in any form on this DVD – it would have been really nice to see both cuts of the film presented here).

Where this movie earns really high marks, however, is with the concert footage. While the lighting wasn't the best, the cameras capture Alice and the band with all the dark theatrics that made them famous and that Alice would carry on once the band split up shortly after this movie was made. A vast majority of the songs performed here are instantly recognizable, and classics such as I'm Eighteen and Elected go over really well live, but so do more obscure tracks like Unfinished Sweet and Raped And Freezin'. Alice leers over his microphone stand sporting a dirty white jumpsuit and knee high leopard print boots that make him look like some sort of demented, perverted ring leader in a truly off the wall three ring circus. He sounds great here, his voice is strong during the angrier moments but it handles the softer side of a couple of the songs just as capably.

The band, the classic line up represented here, also sound excellent. No one really misses a beat and everything sounds tight and professional without losing its edge. The drums are very solid (Alice notes in the commentary that they always tried to have one more piece in the drum kit than Keith Moon had at any given point) and the guitar sounds sleazy and sick and beautiful. The quality of the skits notwithstanding, this is prime Alice Cooper material and something that fans should not miss.

The track listing for the concert performances on this DVD are as follows:

Hello, Hooray
Billion Dollar Babies
Elected
I'm Eighteen
Raped And Freezin'
No More Mr. Nice Guy
My Stars
Unfinished Sweet
Sick Things
Dead Babies
I Love The Dead
School's Out
Under My Wheels
The Lady Is A Tramp (studio)

The DVD

Video:

Good To See You Again is presented in a good high definition 1.85.1 anamorphic widescreen presentation. While there is some print damage throughout playback, it's usually of the minor variety and while sometimes the colors look a little muted, overall the image quality is pretty solid. There aren't any issues with mpeg compression artifacts or edge enhancement and aside from some minor line shimmering in a couple of spots, this transfer is fine. Note that some of the concert footage is a little on the dark side, but this is simply due to the fact that the lighting used during the performance wasn't really ideally suited to filming – it's not really the fault of the DVD authoring. In comparison to the bootleg copies of this that have been floating around for years, the image quality is excellent but when compared to newer music releases, it might seem a little lackluster. Overall though, things are fine.